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ln this concerto many of the studies in the book occur, especially in the jazz genre. There are examples of staccato and beat to beat practicing as described in exercises 22 and 25. There are many examples of alternate fingerings described throughout the book. As a jazz piece, there are many examples of jazz techniques, including note bending (exercise 29). Three examples directly cited in the book include exercise 31 (the two glissandos) and exercise 49 (cadenza near the end). PDF samples can be found under Authors at austinmacauley.com.